HELIOGRAPH

Drop a photo in the middle of the sky. Heliograph reads when and where it was shot, works out how high the sun was, and turns that light into a Lightroom white balance. Keep the golden hour, or clean it.

when——
where——
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the sun——
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the light——
Drop a
photohere
or click
◀ as shotheliograph ▶
You are the centre. Rings = sun height, gold beads = each hour, dotted = the solstices, pink line = your shot. Drag across the photo to compare.
01PhotoJPEG · HEIC · Fuji RAF · DNG
Showing right now in Nashville. Drop a photo on the dial to use its time and GPS.
Your photo stays in this browser. It is never uploaded, GPS included.
02Place + timeno GPS? search it
Place search: © OpenStreetMap via Photon · elevation: Open-Meteo · time zone worked out on your device. Only what you type or pick is sent.
03Light on the subject
Clean airhaze 30Heavy haze
04Your white balance
LIGHTROOM TEMP 5500 TINT +0
waiting for a photo
Film · keep the light70% to neutralNeutral
Greentint +0Magenta
Kelvin presets are for raw files (RAF, DNG, CR2…). On JPEG and HEIC, Lightroom's temp slider is relative, so use the number as a guide. The photo preview shifts from Daylight (5500K) to your setting; Lightroom starts from the camera's own white balance, so the final look can differ a little.
☼The light, minute by minutepick a date + place

I.Why the sun's height

Low sun crosses more air: about 2× at 30°, 5.6× at 10°, almost 40× at the horizon. Air scatters blue far more than red, so the longer the path, the warmer the beam. That is golden hour.

After sunset the beam is gone and only the sky is left, which is why blue hour is blue.

II.Why altitude

Up high there is less air over you and most haze sits in the lowest mile or so. Same sun, cleaner and cooler light: at 10° the model reads about 4100K in Nashville and 4700K in Denver.

Mountains still block the sun early; the model can't see terrain.

III.Film, not auto

Daylight film was fixed near 5500K, so sunsets came out gold. Phones and cameras on auto white balance read the picture and pull it back toward neutral. This works from the sun instead, and the slider decides how much of the mood stays.

Most useful on raw files, where the white balance is still yours to set.